MISTY CIRCLES

AVANGUARDIA MUSICALE DAL 1984

 

Kannonau

Kannonau

Misty Circles Records

In attesa dell`album, un ottimo mini di debutto
Dopo gli interessanti ma non completamente convincenti Well of Sadness, arriva nel lettore l’eloquente debutto dei Kannonau. Nati da una costola del già citato progetto di Daniele Giustra, vede tra le sue file i nomi di Mirella Nania e Gabriele Fagnani, oltre a contributi esterni a cura di Marco Garegnani e Vinz (IHSV). Il debutto per la Misty Circles propone una combinazione di soli 5 brani che convincono, piacciono e fanno ben sperare.

Il territorio controllato da questa neonata formazione italica è quello di un’industrial marziale, ben calibrato tra suggestioni retrò e passaggi più decisi e combattivi. La miscela è ben bilanciata e raramente cade nei suoi estremi, al fine che si creano sonorità interessanti con un pizzico di originalità compositiva. L’introduttiva “Respice Finem” dopo un’introduzione ermetica sfodera una carica marziale non indifferente, la successiva “Third Level” è una ballata folk con tastiere desolanti molto vicina ai momenti più ‘soft’ dei notissimi Ordo (Rosarius) Equilibrio. Sono i testi del Vate D’Annunzio a trascinare in fulgidi e tenebrosi ambienti l’ascolto di una drammatica “Tragedia d’amore e di morte”, lo stesso si può dire di una ben più profonda e minacciosa “L’eterna donna” dove ad oscure trame tastierische si affianca un abile gioco di percussioni ed un cantato teatrale senza cadere in tristi ed urticanti balzi pretenziosi.

Un colpo andato a segno, il traguardo dell’album vero e proprio sarà tagliato con efficienza se si manterrà quel senso di freschezza ed umiltà che ha contraddistinto questo pregevole mini album.

Postato da: atrofact a 20:02 | link | commenti |

Recensione tratta da ROCKERILLA N°307 - Marzo 2006 - Pag.63

ClauDEDI - Vitriol  - Cd-r

Misty Circles / OEC

voto: 7/10

La peculiarità di questo output discografico non sta tanto nel fatto che costituisce il primo esempio di Cd quadrato (!) in Italia quanto nel carattere sommamente eteredosso del contenuto.

L'artefice principale di questa impresa è ClauDEDI, una costola degli Ain Soph che trae spunto proprio da uno storico album della formazione madre (quel masterpiece sull'alchimia di nome "Ars Regia") per tessere le oscure trame di "Vitriol".

Questi brani non furono inclusi nell'LP ma pubblicati come free-tape allegato alle prime 50 copie della compilation "De Arte Moriendi".

Bene ha fatto il nostro a riportarli alla luce, le dottrine ermetiche di Paracelso sono convertite in un vortice di riti danzanti minimali che paiono arrivare dall'averno della vibrazione sonora: opus magico garantito!

( ALDO CHIMENTI)

Postato da: atrofact a 15:24 | link | commenti |

CIRCUS JOY - Improvvisa Azione Paganini    CD-r

Circus Joy was born in 1984 from an idea of the painter & poet "Corrado Mancini" !

Up to now the only releases by CJ are on a bounch of vinyls produced through Juergen Weber (Novy Svet) and

Old Europa Cafe, this is their first official digital production .

6 studio tracks + their devastinhg live versions ending with the Velvet cover "Run, run, run" translated into italian !

Re-edition of the legendary recordings previously out on the Nekofutschata "Noi e il Mondo" Vinyl box in 2002

as a very limited edition ...

New Punk'n'Pop / Anti Neo-Folk sounds by this uncompromising Roman band which includes :

Studio Recording :

Corrado Mancini - Voce

Chris Blaze - Rumori ed effetti (Bassifondi Orchestra)

Vinkio - Batteria

ClauDEDI - Basso

Letizia - Voci e Cori

Mizar - Voci e Cori

Spectrae - Chitarra ( Ain Soph)

 

Live Recording:

 Corrado Mancini - Voce

Chris Blaze - Rumori ed Effetti (Bassifondi Orchestra)

Steve Stroll - Batteria

ClauDEDI - Basso

Letizia - Voci e Cori

Spectrae - Chitarra ( Ain Soph)

Do like the Romans do : "Corri, corri, corri ..."

Profesionally printed CD-r numbered on CD label and limited to 250 copies,

oversized 7" folding cover with typical Circus Joy Neo-Egyptian design !

Postato da: atrofact a 13:45 | link | commenti |

black magazine #45 winter 2005

DBPIT "S.U.T.U.B." (CD)
Misty Circles

Die zugrunde liegende idee der CD wird im Booklet wie folgt beschrieben. Es soll der Versuchunternommenwerden,ein"Unplugged?Industrialalbum" aufzunehmen. Auf jegliche Electronics und Effekle wurde verzichtet. Flavio Rivabellas Trompetenspiel wechselt eindrucksvoll mit dem unvergleichlichen Gesang von Anna Consuelo. Die Elements wurden kunstvoll choreographiert und nach Nicht?Gehortem angeordnet. Listig erzeugt these Veroffentlichung dabei den alten melodramatischen Effekt, namlich, class es immer zu spat ist, den maSSlosen Gefuhlen auch entsprechende Taten folgen zu lassen. Die fein abgestimmten Soundpartikeln entziehen sich ich?suchtiger Vorteilsmehrung, weniger blasse Symbiose als groSSe Collage heiSSt clas Klassenziel. Unerwartbar tummeln sich die jeweiligen Sounduberraschungen auf der Rivabella'schen Spielweise und lassen sich Armlich den Stapelton'schen Output, nie endgultig erkiren. Deshalb blebt festzuhalten: Wer standig begreift, blebt unter seinem Niveau. (S.L)

Postato da: atrofact a 16:16 | link | commenti |

****************************************************
feindesland:

Experimental
Das "Studio di fonologia industriacustica di Roma" lädt zur ersten Veröffentlichung einer Unplugged Reihe ein. In diesem Zusammenhang dürfen Projekte aus dem Bereich Industrial/Noise/Experimental die Aufnahmen weder elektronisch verändern oder Effekte hinzufügen. Mich hat die Einschränkung ein wenig an Dogma95 aus dem Filmbereich erinnert, hat in diesem Fall dieses Zertifikat einen nachhaltigen Einfluss auf die Filmbranche gehabt.

"Der bekannte postindustrielle Trompeter" wagt als erster die Herausforderung aufzunehmen. Hierzulande ist er eher als Mitglied von "Mushroom Patience" bekannt. Das mir vorliegende Album heißt "s.u.t.u.b" und steht für "Special Unplugged Transonic Urban Bondage".

Der erste Track "Stinking Butterfly" weiß durch seine interessante Instrumentalisierung, zwischen Harfe und Soundcollage zu überzeugen. Dazu kommen noch die gewöhnungsbedürftige Vocals von "Anna Consuelo". Für mich entpuppt es sich als der poppigste Song von dem Album, wobei es wohl ungewöhnlich klingt, in einem solchen Kontext von Pop zu sprechen, aber der Refrain brennt sich doch in das Gehör ein.

Bei "Bachwards thrugh iperspace" wird der Titel von DBPIT sehr ernst genommen, denn die Vocals sind rückwärts gesungen um sich an den Regeln zu handeln. Eine Herausforderung an Frau Consuelo, die sie gekonnt meistert.

Auf "Contacto total" wird DBPIT von Novy Svet und O'Paradis musikalisch unterstützt. Für die Leser von Feindesland.de zwei Projekte, die bestens bekannt sind und deren Können sich gut in das ganze Konzept einwebt.

Besonders hervorheben möchte ich noch den Track von "Time to be gone" mit den Vocals von Fabio Magnasciutti. Seine Stimme ist eine wohltuende Abwechslung zu den weiblichen Vocals. Des weiteren spielt auch eine Mundharmonika, die mich persönlich ein wenig an Sergio Leone's Meisterwerk "Spiel mir das Lied vom Tod" erinnert.

Nach knapp 40 Minuten ist das Album zu Ende. Vollgepackt mit vielen Ideen, außergewöhnlichen Texten, hat mich ein wenig die kurze Laufzeit enttäuscht. Zwar erhält der erhält der Hörer durchweg beste Qualität, aber er möchte noch mehr. Da kann man nur gespannt sein, wie die nächste Veröffentlichung der Unplugged Reihe sein wird. DBPIT wird es für sein nächstes Album sehr schwierig haben, da er mit "s.u.t.u.b." eine sehr hohe Messlatte angelegt hat.
Fazit:
Einschränkung kann zu Kreativität führen, zumindest war es bei DBPIT der Fall, denn sein "s.u.t.u.b." öffnet tatsächlich einen neuen Horizont und zeigt, dass ohne elektronischen Einsatz sich trotz allem ein hervorragendes experimentelles Album aufnehmen lässt.
Bewertung:
Punkte (Innovation): 14 von 15
Punkte (Gesamt): 14 von 15

daniele cerami

Postato da: atrofact a 16:15 | link | commenti |

DBPIT interwiew black magazine  autumn 2006

Flavio, how important is a kind of sub cultural network for you?
FIRST OF ALL LET ME THANK YOU AND YOUR READERS FOR YOUR INTEREST IN MY ALIEN WORK...
NEEDLESS TO SAY A NETWORK TO LINK AS MANY ARTISTS AND FANS AS POSSIBILE OVER THE WORLD IS OF THE UTMOST IMPORTANCE; UNDERGROUND ARTISTS, PRODUCERS ETC SHOULD FORM A UNITED FRONT, MORE THAN AGAINST THE POWER OF THE MAJORS, WHICH CANNOT BE DEFEATED, AT LEAST AGAINST THE IGNORANCE AND THE SUPERFICIALITY OF THE “COMMERCIAL” PEOPLE...OK, DREAMS ;-)

Would you agree that less and less concerts take place and these are visited by less and less people? Have you got any idea why this is the case?
I WOULDN’T SAY SO; IT SEEMS TO ME THERE ARE A LOT OF EVENTS AROUND, SMALL AND MORE RELEVANT AS WELL...SOMETIMES THEY ARE GOOD, MORE OFTEN THEY ARE CRAP, THAT’S MAYBE THE MAJOR POINT...AND, AS USUAL, PEOPLE TEND TO GO SEE WELL KNOWN ARTISTS RATHER THEN NEWCOMERS EVEN THOUGH SOMETIMES TICKETS ARE OUTRAGEOUSLY EXPENSIVE...

When you played in Wetzlar you were not happy with your performance. What was in your eyes the biggest problem?
LET ME SAY THE WETZLAR GIG, AS A WHOLE, WAS ONE OF THE BEST EVENTS I’VE PARTICIPATED IN: THE VENUE WAS COSY AND OF THE RIGHT SIZE, PEOPLE WERE VERY FRIENDLY, BEER EXCELLENT AND THERE WAS A GOOD TURNOUT; UNFORTUNATELY SOMETHING WENT WRONG WITH MY OR WITH THE SOUND ENGINEER’S EQUIPMENT, I DON’T KNOW...AS A RESULT MY FX-BOX DIDN’T WORK AND MY BASES WENT INTO A CONTINUOS FEEDBACK ...IT WAS A NIGHTMARE, I SHOULD HAVE STOPPED PLAYING: PEOPLE DEFINITELY GOT A WRONG IDEA OF DBPIT LIVE!

During your performance you showed some funny films you yourself have made. Do you feel an affinity to science fiction films in general and American sci-fi-films from the 50ies in particular?
YES I LOVE SCI-FI FLICKS, ESPECIALLY THE LOW-BUDGET AND NAIVE ONES, NOT THE HOLLYWOOD BLOCKBUSTERS ONLY BASED ON TECHNOLOGY...I USED TO READ A LOT OF SCIENCE FICTION AS A KID AND IT’S ALWAYS CHARMED ME: SCI-FI CAN BE A GREAT WAY TO DEAL WITH HUMAN WEAKNESSES, FEARS, MENTAL DISEASES, HOPES...IT’S NOT MERELY SPACESHIPS AND FREAKY MONSTERS!
I’M A BIG FAN OF GODZILLA, TOO (THE REAL THING, NOT THE AMERICAN PHONEY LIZARD...), AND I DEDICATED A TRACK TO HIM IN “TROMPOZMO”


Are you interested in the work of Ed Wood (“Plan 9 from outer space” etc.)?
OF COURSE I’VE SEEN ALL HIS MOVIES; HE REALLY BELIEVED IN HIS IDEAS AND PURSUED THEM WITH NO MONEY...AND QUITE A LOT OF CRAZINESS ;-))

What do you think is the common ground between Circus Joy, Wertham and yourself?
MUSICALLY SPEAKING, NONE, I GUESS...I MEAN, OUR PROJECTS ARE VERY DIFFERENT FROM ONE ANOTHER; BUT WE ARE GOOD FRIENDS AND WE ARE ALL PART OF THE SAME DERANGED FAMILY OF DAMNED ARTISTS WHO WANT TO KILL SOMEONE ELSE’S BRAINS WITH OUR VERY PERSONAL AND OUTLANDISH MUSIC

Everybody needs a creative source. What is yours?
DISTRESS, SORROW, LOVE, HATE...LIFE, IN A WORD

Is there a connection between friendship and working together musically?
OF COURSE! MAYBE THAT’S NOT A MUST, I MEAN, YOU CAN COLLABORATE WITHOUT BEING TRUE FRIENDS, BUT I FEEL WHEN MUSICIAN REALLY KNOW EACH OTHER IN PRIVATE LIFE, THEIR OUTPUT IS SOMEHOW SPECIAL! IT IS AS IF YOU CAN SENSE THAT...

You told us that in some Italian magazine somebody had compared one of your albums to Nurse With Wound. Do you see similarities between Steven Stapleton’s and your work?
NEEDLESS TO SAY, SUCH A STATEMENT MADE ME VERY PROUD, I’M A BIG FAN OF NWW, HE’S A GREAT MASTER!--- YES MAYBE THERE ARE SIMILARITIES, IN THE WAY WE EXPERIMENT, EVEN THOUGH THE RESULTS ARE PRETTY DIFFERENT

Your new CD "S.U.T.U.B." reminds us strongly of early Ain Soph-releases. You and ClauDedi are friends and you have dedicated the track "Esperimento Andato A Male" on your new 3’-CD Freak Nerve-Cell From Outer Space" to him. What can you say about your friendship?
YOU MEAN ABOUT ME AND CLAUDEDI? WE’VE KNOWN EACH OTHER SINCE WE WERE 15...AND I WILL NOT TELL YOU FOR HOW LONG, THEN! ;-)
I’VE LIVED THROUGH ALL HIS STAGES IN LIFE, SEEN ALL HIS BANDS AND HAVE BEEN ABLE TO SEE HOW GENIOUSLY HE MANAGES TO COME UP WITH NEW AND INTERESTING IDEAS...HE ALWAYS WANTS TO ROCK THE BOAT; I BELIEVE HE’S EVEN UNDERRATED, HE DESERVES MORE CONSIDERATION...AND OF COURSE I OWE HIM AND MUSHROOM’S PATIENCE THE BIRTH OF DBPIT...

On the cover of "S.U.T.U.B." it is said that you wanted to record an industrial-CD without any elctronic effects. You consider the album as "unplugged adventure". Could you briefly say something about the idea behind it?
THAT’S VERY INTERESTING AND BRINGS US BACK TO CLAUDEDI: HIS WAS THE IDEA TO CHALLENGE INDUSTRIAL ARTISTS INTO DOING SOMETHING ABSOLUTELY UNUSUAL FOR THEM; I ACCEPTED AND REALISED THAT ALBUM WITHOUT USING ANY EFFECT, SYNTH, IN A WORD, NO ELECTRONICS WHATSOEVER...
I RECORDED SOUNDS, INSTRUMENTS, VOCALS THEN EDITED IT ALL WITHOUT MODIFYING ANYTHING; I THINK THE RESULT IS QUITE INTERESTING, AND THE VOCALIST WAS SUPERB! IT WAS INCREDIBLE TO WITNESS HER CREATE THE MELODY AND THE BEAT OVER SOME SIMPLE, UNUSUAL SOUNDS...

Is this CD also a reaction to the numerous releases that consist mainly of thinly and badly manipulated samples?
I DIDN’T DO IT WITH THAT PARTICULAR PURPOSE, BUT, YES, IN A WAY IT IS; MORE OFTEN THAN NOT INDUSTRIAL OR ELECTRONIC MUSIC HAVE BECOME JUST AN EXCUSE TO SHOW HOW GOOD SOMEONE IS WITH A COMPUTER...IF YOU SEE WHAT I MEAN

There are a number of vocals on the album. Will future-releases go in a similar direction? What kind of expression does a track with vocals have?
THE COLLABORATION WITH ANNA CONSUELO, THE VOCALIST, IS STILL ON AND SHE IS SUPPOSED TO PARTICIPATE IN MY NEXT LIVE GIGS; I DO HOPE THIS ARTISTIC UNION WILL LAST A LONG TIME BECAUSE SHE IS A GENIOUS...I’VE ALWAYS LOVED VOCALS, BUT MY OWN VOICE IS AWFUL SO IT CANNOT BE USED...NOW, THE SINGER ALLOWS ME TO USE MY LYRICS AND ENABLES ME TO LET MY THOUGHTS KNOWN EVEN BETTER...BESIDES, ANNA CONSUELO REALLY ADDS THE MAGIC TOUCH TO THE PROJECT...

What can you tell us about the split 7’ with Feine Trinkers Bei Pinkels Daheim? Can this Christmas-7’ with your contribution “Stille Nacht” be seen as a kind of joke?
I DON’T KNOW WHAT YOU EXACTLY MEAN BY “JOKE”...
THAT 7” IS PART OF THE SPLIT-PROJECT THAT THE “KONIGIN” OF INDEPENDENT LABELS, KIMSONJA, THOUGHT OF...SHE IS VERY MUCH INTO GRAPHIC ARTS AS WELL AS INTO MUSIC AND SHE TAKES CARE OF ARTWORK OF HER RELEASES IN A VERY SPECIAL AND PASSIONATE WAY: WHITE RABBIT IS GOING TO RELEASE THE SECOND PART OF THE TRINKERS/TRUMPETER JOB IN THE FORM OF TWO 3”-CDS IN A STUNNING PACKAGING SHE DESIGNED HERSELF, THAT IS A MASTERPIECE ALONE!
THE 7” ANTICIPATED BY ONE YEAR THE CD AS A SPECIAL CHRISTMAS RELEASE THAT’S WHY I DECIDED TO DO MY INTERPRETATION OF THAT OLD TRADITIONAL SONG...

How important is humour for your work?
I COULD SAY WITHOUT HUMOUR DBPIT WOULD NOT EXIST...IT’S IMPORTANT TO BE ABLE NOT TO TAKE ONESELF MUCH TOO SERIOUSLY, BUT ALWAYS WORKING...VERY SERIOUSLY, THOUGH! I FEEL FREE TO EXPRESS MYSELF THROUGH MY MUSIC, REGARDLESS TO WHAT OTHERS MAY THINK OF IT, AND SOMETIMES I REALLY FEEL LIKE MAKING FUN OF LIFE; BUT WHEN IT COMES TO DEALING WITH OTHER PEOPLE, LIKE LABELS, PRODUCERS, JOURNALISTS, OTHER MUSICIANS ETC, I THINK I AM QUITE DEPENDABLE

You often collaborate with others. Is there a certain point when working together is no longer acceptable, can no longer be endured?
I LOVE COLLABORATIONS: WHEN U KNOW WHAT ANOTHER ARTIST CAN DO U KNOW HOW HE/SHE CAN IMPROVE YOUR WORK BY ADDING HIS/HER OWN SKILL AND CREATIVITY; AND UNLIKE IN A BAND, COLLABORATIONS COME AND GO WITHOUT HARD FEELINGS, WHICH IS IMPORTANT AND MAKES IT EASIER TO GET BY: WHEN IT’S NOT ACCEPTABLE ANYMORE ALL U HAVE TO DO IS NEVER ASK FOR ANYTHING ELSE ;-)

We know that you have a rather critical attitude towards globalisation. We’ve often talked about that. Could you briefly present your criticism?
I THINK GLOBALISATION HAS NOTHING TO DO WITH CULTURAL EXCHANGE, IS THE APPALLING RESULT OF EXPLOITATION; THEREFORE WHEREAS THE WORLDWIDE NETWORK WE WERE TALKING ABOUT EARLIER AND A COMMON LANGUAGE ARE ABSOLUTELY NECESSARY, GLOBALISATION IS KILLING TRADITIONS AND THE INTEREST IN SOMETHING DIFFERENT; I ALSO THINK IS THE WRONG ANSWER TO PEOPLE’S FEARS: MANY FEEL REASSURED TO FIND THE SAME THINGS WHEREVER THEY GO WHETHER THEY ARE FOOD OR ITEMS OR SONGS OR WHATEVER…

That’s related to the last question. Do you disapprove of competition?
NO, IF COMPETITION IS FAIR…THE POINT IS, CAN IT EVER BE SUCH?

Have you got any idea how the present capitalist economy, which seems to be acting in a rather pathological way at the moment, can be transformed into a less immoderate and a more sustaining one?
NO, IF I HAD I WOULD PROBABLY WIN THE NOBEL PRIZE, OR MAYBE I WOULD BE A LEADER…OR A TERRORIST…


You live close to the Vatican. Has the flood of pilgrims finally subsided?
UNFORTUNATELY THAT WILL NEVER HAPPEN…THE VATICAN IS THE MOST POWERFUL AND PERFECT MONEY-MAKER MULTINATIONAL; YOU CANNOT IMAGINE HOW DEEPLY THEY INTERFERE WITH ITALIAN POLITICS AND ECONOMY ; I’M NOT TOO CRAZY ABOUT LIVING THAT CLOSE TO THE HOLY STATE…

Have you got any explanation why more and more people embrace religion (at least on a superficial level)?
BASICALLY IGNORANCE AND FEAR; IT’ S UNBELIEVABLE TO HEAR YOUNG PEOPLE STILL SAYING THAT THEY “BELIEVE” BECAUSE SO THEY ARE TAUGHT TO OR BECAUSE “YOU NEVER KNOW…”
IT’S EASIER TO MAKE DO WITH READY-MADE ANSWERS TO THE MYSTERIES OF EXISTENCE THEN TO LOOK DEEP INTO ONESELF IN A PERSONAL QUEST TO TRUTH…

In a novel by A.S. Bhatt one of the protagonists says that “It is natural for human being to make up powers. […] I make an unnatural effort. I stare into the dark and abstain from imagination. It’s a destructive way and the rewards are meagre.” Would you rather be one who stares into the dark void of reality and transitoriness or would you consider yourself to be someone who believes in powers (God etc.) in order to avoid becoming mad?
I’D RATHER STARE AT THE SKY, TRYING TO UNDERSTAND WHY AND HOW ANCIENT CIVILIZATIONS WHERE ABLE TO COMMUNICATE WITH THE UNIVERSE…BUT, NO, GOD IS NOT MY CUP OF TEA…

What do you expect and What can we expect from you?
I EXPECT TO PLAY AT ROYAL ALBERT HALL, TO SELL 5 MILLIONS COPIES OF MY NEXT CD, THEN YOU MAY EXPECT A POSTCARD FROM MARS!!!
FOR THE TIME BEING, I’LL KEEP ON HAVING FUN AND MAKING FRIENDS WITH MUSIC…AND THANK YOU VERY MUCH FOR THIS INTERVIEW

Postato da: atrofact a 23:18 | link | commenti |

Ultime Notizie da MCR

In Italia siamo ormai arrivati alla pazzia totale, il giorno 11 Marzo i Circus Joy insieme ai P38 Punk avrebbero dovuto suonare a Roma al CSOA Ricomincio dal Faro, invece tutto annulato perchè ci sono el elezioni e quindi c'è la legge della Par Condicio.

Ora , comprendiamo che i gruppi in questioni hanno tendenze politiche di AnarcoSinistra, ma non erano li per fare un comizio e non sono gruppi che fanno musica politica.

Aspettando tempi migliori, un saluto dalla Misty Circles Records

Postato da: atrofact a 17:23 | link | commenti |

intervista pubblicata in tedesco da Black Magazine – primavera 2003

1- la registrazione di eleven è stata realizzata con raffaele, claudio, marco…come si è sviluppato il progetto e dove?
2-
INTANTO RINGRAZIO TE E LA RIVISTA PER L’INTERESSAMENTO AL MIO LAVORO-LO SAI CHE DEVO IL MIO NOME D’ARTE A VOI, VERO?!?

No, non capisco…

ALLORA VEDI L’INTERVISTA A MUSPAT APPARSA SUL #24/2001…

SONO CONTENTO TU MI ABBIA FATTO QUESTA DOMANDA, VISTO CHE ELEVEN RAPPRESENTA IL MIO ESORDIO DA SOLISTA; SUONAVO CON MUSHROOM’S PATIENCE E SONO STATO SEMPRE AMMIRATORE DI AIN SOPH E AMICO DEL GRANDE CLAUDEDI, QUINDI UNA SERA DOPO LE PROVE DEI MUSPAT, RAFFELE E CLAUDIO MI HAN DETTO: “LO SAI CHE C’E’ QUALCOSA DI STRANO E AFFASCINANTE NEL MODO IN CUI SUONI LA TROMBA…DOVRESTI PROPRIO FARE UN ALBUM DA SOLO…E NOI POSSIAMO AIUTARTI…”
COSI’ HANNO INFIAMMATO IL MIO ENTUSIASMO E SPALANCATO PER ME LE PORTE DI UN NUOVO, MAGICO MONDO!
ELEVEN STAVA PER NASCERE; REGISTRATO IN PARTE A CASA COL PC, IN PARTE DA RAFFAELE CERRONI, CHE HA MESSO IL SUO EQUIPAGGIAMENTO E LA SUA ESPERIENZA A MIA DISPOSIZIONE…QUINDI MOLTI AMICI HANNO PARTECIPATO AL PROGETTO: MARCO DEPLANO, JUERGEN WEBER, FRL.TOST, PERSINO MIO FIGLIO…UN GRAN LAVORO, RITENGO!
DEVO MOLTO A CLAUDEDI E A RAFFAELE!

2 mi è parso di capire che usi molti suoni naturali, come uccelli…ci spieghi la scelta delle altre sonorità naturali che usi?

HAI UN ORECCHIO ACUTISSIMO! QUASI NESSUNO RICONOSCE CHE SI TRATTA DI VERSI E RICHIAMI DI ANIMALI!
AMO MOLTO I SUONI STRANI DI ALCUNI ANIMALI…SPESSO NON S’IMMAGINA QUANTA STRANEZZA VI SIA! E LA MAGGIOR PARTE NON NECESSITANO NEMMENO DI PARTICOLARI EFFETTI…
ANNI FAI COMPRAI A LONDRA UNA CASSETTA DI STRANI SUONI, L’HO PASSATA SUL PC ED ECCO FATTO UNA SERIE DI CAMPIONI STRANISSIMI BELL’E PRONTI!
MA NELL’LP “TOTAL LACK OF VITAL ENERGY”, PARTE DEL COFANETTO NOI E IL MONDO, HO USATO LA VOCE DI UNO DEI MIEI GATTI…FACILE REGISTRARLI QUANDO CHIEDONO CIBO!!!

POI POSSIEDO DIVERSI STRUMENTI FATTI CON MATERIALE DI RICICLO: UN SEDIOFONO, UNA LAVATRICE A MANO RIEMPITA DI NOCI…MA QUELLI NECESSITANO DI PARECCHIO LAVORO AL COMPUTER!!!
A VOLTE IMMETTO SUONI COMUNI IN UN BRANO PER RENDERE L’ATMOSFERA METROPOLITANA IN CUI VIVIAMO…TRAPANI, PORTE CIGOLANTI. SCIAQUONE DEL BAGNO…GENERALMENTE SONO SUONI FASTIDIOSI O SINISTRI, COSE ODIOSE O DA CUI TI SCANZI…TIPO IL TRAPANO DEL DENTISTA!

…e poi naturalmente c’è la vespa…
AH, SI, SI! È IL RUMORE DELLA MIA POVERA VESPA CHE HO TENUTO PER 20 ANNI…POI A CAUSA DEI REGOLAMENTI ITALIANI E DELLA RUGGINE, L’HO ELIMINATA MA NON SENZA RENDERLE OMAGGIO!
ORA HO UNO DI QUEGLI SCOOTERONI GIAPPONESI, MA NON HA DI CERTO LO STESSO FASCINO!

3 prima di suonare sviluppi un concetto o tutto avviene in modo “automatico”?

BEH, SAI, DICONO CHE LA MIA MUSICA NON SEGUE NE’ REGOLE NE’ ARRANGIAMENTI E QUESTO VALE PER LA MIA IDEAZIONE: A VOLTE DA UN CONCETTO NASCE LA CANZONE (TIPO PSYCHO GATE O BOOK OF THOTH), ALTRE VOLTE E’ UN SUONO A RICHIAMARE DEI RICORDI O FA SCATURIRE UN PENSIERO…

4 ci puoi riraccontare la storia di memories of vienna vol.1? avevi il raffreddore e necessitavi di un “nasenspary”…

AH, SI, BUFFO, EH?!? ERA LA PRIMA VOLTA CHE ANDAVO A VIENNA, ERO CON CLAUDEDI, RAFFELE, JUERGEN E ULLA E AVEVO UN TERRIBILE RAFFREDDORE…QUINDI HO COMINCIATO A BERE, BERE, BERE…E’ LA TESTA E’ PARTITA…SI, MI SERVIVA UN “NASENSPPRAY” …BEH, NON RICORDO I DETTAGLI MA MI PARE CHE CERCASSERO D’INSEGNARMI UN PO’ DI TEDESCO, POCHE PAROLE CHE HO ANNOTATO E CHE SONO DIVENTATE IL TESTO PER M.O.W.!!! IN EFFETTI, C’E’ UN VOL.2, NON PUBBLICATO…STESSE PAROLE, VERSIONI TOTALMENTE DIVERSE!

5 mi sembra di riconoscere un campionamento degli abba in kradumarrich…c’è un motivo particolare per questa scelta o un entusiasmo particolare per il quartetto svedese?

SI, SONO GLI ABBA…DA PICCOLO MI PIACEVANO MOLTO…VEDEVO QUESTE BIONDONE DALLE GAMBE LUNGHE COME DELLE DEE…E’ UNA DELLE POCHE POP-BANDS CHE MI PIACEVANO! QUINDI NULLA DI SPECIALE, SOLO UN…OMAGGIO!

6 raccontaci la tua carriera musicale e dicci in quali progetti sei coinvolto

OK, FERMAMI SE LA FACCIO TROPPO LUNGA…DOPO SVARIATI ANNI DI PARTECIPAZIONI A FIANCO DI IMPORTANTI PERSONAGGI DELL’UNDERGROUND ROMANO, INCLUSO IL PROGETTO COLLATERALE DI CLAUDEDI CHIAMATO SILENT PISTOLS, PER ME E’ INIZIATA UNA NUOVA AVVENTURA, QUANDO, NEL 2000, RAFFAELE CERRONI, LEADER DEL GRUPPO SPERIMENTAL-POST-INDUSTRIALE MUSHROOM’S PATIENCE MI HA CHIAMATO PER REGISTRARE LA MIA TROMBA FUORI TONO IN UN PAIO DI BRANI DEL SUO NUOVO ALBUM ROMA,WIEN, CHE HA AVUTO MOLTO SUCCESSO;
NELL’ALBUM SUCCESSIVO, THE SPIRIT OF THE MOUNTAIN, USCITO PER HAU RUCK!, LA MIA TROMBA E’ MOLTO PIU’ PRESENTE.
COI MUSPAT HO SUONATO DAL VIVO AL SONICA DI ROMA (NOV.01), AL MIND’RRON DI MASSAFRA (FEB.02), E DUE VOLTE AL MONASTERY DI VIENNA (MAGGIO E NOVEMBRE 2002).
NEL MAGGIO 2002, LA MISTY CIRCLES HA PRODOTTO IL MIO PRIMO TENTATIVO DA SOLISTA, ELEVEN, CHE HA AVUTO OTTIME RECENSIONI IN MOLTE RIVISTE E SITI WEB;
IL MIO BRANO LITTLE STARMAN APPARE NELLA COMPILATION DELL’ ETICHETTA FRANCESE CYNNFEIRD, SONGS FOR LANDERIC;
ALLA PRESENTAZIONE DEL BOX NOI E IL MONDO AL SONICA DI ROMA, HO SUONATO LIVE DUE BRANI INEDITI E DUE BRANI CON NOVY SVET, COLLABORAZIONE CHE HO RIPETUTO ALLO STILE LIBERO DI BOLOGNA ALCUNI GIORNI DOPO.
HO PARTECIPATO AL 2° CONGRESSO POST-INDUSTRIALE ITALIANO AL SIDDHARTA DI PRATO (4.1.03) SUONANDO TRAVESTITO DA MAIALE CON LA MACELLERIA MOBILE DI MEZZANOTTE, DI ADRIANO VINCENTI…CON LORO HO RISUONATO POI A ROMA…PENSO DI ESSERE ORMAI
NELLA FORMAZIONE!
MOLTO DIVERSI DA MUSPAT…MENO MUSICA, PIU’ VIOLENZA!

7 qual è la tua visione della vita?
SONO PIUTTOSTO DISILLUSO...HO AVUTO DIVERSE ESPERIENZE NEGATIVE
E TENDELZIALMENTE NON MI FIDO DI NESSUNO…PUO’ ESSERE CHE IO STIA CERCANDO LA MIA VENDETTA SUL GENERE UMANO PER MEZZO DELLA MIA MUSICA!

8 qual è l’idea dietro noi e il mondo e come si è relizzata?

NEIM E’ UN PO’ UNA CELEBRAZIONE DELL’AMICIZIA CHE LEGA NOVY SVET AD ALCUNE BANDS ROMANE; JUERGEN E’ UN BUON AMICO E IL MIO PIU’ ACCESO FAN COSI’ MI HA VOLUTO FAR PARTECIPARE IN QUESTA GRANDIOSA EDIZIONE LIMITATA…IL MIO LP, TOTAL LACK…, RIUNISCE UNA SERIE DI BRANI PIUTTOSTO STRANI, FORSE MENO SPONTANEI DI ELEVEN…CE NE SONO DUE CHE RIGUARDANO LA MIA PASSIONE PER LE CIVILTA’ PERDUTE, COME QUELLA EGIZIA E QUELLE PRECOLOMBIANE; UN ALTRO, BRAINLESS ANDROID, CHE DIPINGE IL PROSSIMO FUTURO DELL’UMANITA’ E UN ALTRO CHE RACCHIUDE LE MIE SPERANZE: I GATTI E GLI ALIENI!

9 hai avuto esperienze riguardanti i bambini, visto che hai registrato la song for landeric?

STO CERCANDO DI FAR CONOSCERE A MIO FIGLIO DI 10 ANNI, FRANCESCO (PUSIO KRANIO NEI CREDITS DI ELEVEN) GENERI MUSICALI PIU’ CREATIVI; PURTROPPO LA MADRE GLI DA UN’EDUCAZIONE MOLTO CLASSICA…MA CHI LO SA, MAGARI FRA QUALCHE ANNO LE BUCHERA’ LE ORECCHIE CON SUONI ASSURDI! E C’E’ UN PEZZO DI PIANO SUONATO DA LUI IN LITTLE STARMAN…SE LO SA LA MADRE!!! (NO, NON ANDIAMO D’ACCORDO…)

10 gli ultimi 5 dischi comprati e gli ultimi musei visitati a roma

UN PAIO DI GIORNI FA HO COMPRATO IL PRIMO DEI RESIDENTS, CHE AVEVO REGISTRATO SU NASTRO; ULTIMAMENTE POI HO PRESO AUTOMATING DI NURSE WITH WOUND (FENOMENALE!!!), LA FOLIE VERTE DI B.AXIS & JDLP, OKTOBER DI AIN SOPH (NON COMPRATO, MA AVUTO DAL GRANDE CLAUDEDI IN PERSONA), E TOWARDS THE EVENT HORIZON DI JACK OR JIVE, UN GRUPPO CONOSCIUTO GRAZIE ALLA LORO DELIZIOSA PRODUTTRICE TEDESCA, KIMSONJA;
PER CIO’ CHE RIGUARDA I MUSEI, ROMA E’ ASSAI SCARSA! CIOE’, CE NE SONO MOLTI, MA MOLTO VECCHI E CON POCHE SPIEGAZIONI…COMUNQUE SONO RECENTEMENTE TORNATO AL MUSEO ETRUSCO E HO VISITATO LA MOSTRA DEGLI IMPRESSIONISTI…NON CONOSCO I MUSEI IN GERMANIA ( E NE SONO CURIOSO), MA PER I MUSEI VADO A LONDRA!

11 i piani per il futuro?

PER LA MUSICA, STO LAVORANDO A UN NUOVO ALBUM E SE RIUSCIAMO A SUPERARE ALCUNI PROBLEMI USCIRA’ PER LA FINE DELL’ANNO;
A PARTE CIO’, MISTY CIRCLES STA PER RISTAMPARE ELEVEN, CON UNA COPERTINA DIFFERENTE.

Quale etichetta stamperà il tuo prossimo lavoro?

SONO IN CONTATTO CON TRE ETICHETTE: MISTY CIRCLES, NEKOFUSHAKTA E WHITE RABBIT, MA NON SO CHI PUBBLICHERA’; INTANTO C’E’ IN VISTA UNO SPLIT…SORPRESA!

QUINDI PREVEDO CONCERTI CON MUSPAT E NOVY SVET
PER ALTRI ASPETTI DELLA VITA, MEGLIO NON FARE PIANI

12 neim e’ una presa di posizione riguardo alla situazione economica dei paesi in via di sviluppo e del mondo occidentale; anche se il dialogo è necessario mi pare che in germania e in altre nazioni le sinistre vogliano strumentalizzare l’insoddisfazione per i loro fini politici. Se vedo la falce e il martello mi fa male lo stomaco..tu che ne pensi?

ALLA VIGILIA DI UNA NUOVA, PERICOLOSA GUERRA QUESTA E’ UNA DOMANDA IMPORTANTE…ANCHE SE COME DBPIT HO SCELTO DI NON PORTARE AVANTI ALCUNA IDEA POLITICA, DEVO DIRE CHE NON HO MAI AVUTO FIDUCIA NEI POLITICI (SE ASCOLTI ATTENTAMENTE THE INVASION OF THE HUMAN MEN, IN ELEVEN, TROVI QUESTO CONCETTO); IN ITALIA CI SONO STATI GOVERNI DI SINISTRA, DI CENTRO E DI DESTRA MA NON E’ MAI CAMBIATO NULLA…MI PARE CHE VESTANO UN COLORE SOLO PER GIUNGERE AL POTERE E LAVORARE PER IL PROPRIO TORNACONTO; E C’E’ SI STRUMENTALIZZAZIONE, BASTI PENSARE ALL’ IMMIGRAZIONE CLANDESTINA…NON PENSI CHE POTREBBERO FERMARLA SE LO VOLESSERO? MA SICURAMENTE FA COMODO A QUALCUNO…
RIGUARDO ALLA GUERRA, NON CREDO CI SIA IL BUONO E IL CATTIVO, MA SOLO INTERESSE, DA ENTRAMBE LE PARTI…E SU TALI ARGOMENTI LA STRUMENTALIZZAZIONE E’ OVVIA.
L’LP DI NOVY SVET IN NEIM E’ DEDICATO AL RAGAZZO RIMASTO UCCISO DURANTE IL G8 A GENOVA, IL CHE HA CAUSATO UN PO UNO SCANDALO, MA A PARTE CIO’, RIESCI SOLO IMMAGINARTI LA STRUMENTALIZZAZIONE CHE C’E’ STATA IN ITALIA SU QUEL FATTO?!?
QUEL TIZIO E’ DIVENTATO UN IDOLO, UN SIMBOLO…UNO STRUMENTO, QUANDO NON E’ ALTRO CHE UNO SFORTUNATO CHE STAVA PROBABILMENTE CERCANDO DI UCIDERE QUALCUN ALTRO E SI TROVAVA LI COME UNA MARIONETTA MOSSA DALL’ALTO…
NON MI PIACE IL GOVERNO ITALIANO MA NON MI PIACE NEMMENO LA SINISTRA.

13 Un’ ultima parola?
BEH, SI: “MIAO” !

interviewers:
patrick ewering & christian gotze
issued in german on black magazine - spring 2003


1-The recordings to the "Eleven"- album took place with the "well-known team" consisting of Raffaelle , Claudio, Marco .... Can you say something how the recordings have developed? Where has it been?
First of all I’d like to thank you and your mag for being interested in my work - you know I kind of owe my nickname to black magazine, don’t you?

As “eleven” marks the beginning of DBPIT’s solo adventure I’m particularly glad you asked this question: I had been playing with Mushroom’s Patience, and always been a big fan of ain soph and close friends with claudedi…so, one night after rehearsing for a muspat gig, claudedi and raffaele cerroni sort of told me: “why, flavio, don’t you know…there’s something weird and fascinating in your playing…you really should try and do a solo album…we can help you if you wish…”.
So they sparkled my enthusiasm and opened the door to a new, magic world to me! So “eleven” was going to be born, recorded partly at home on my pc and partly at raffaele’s, who put his experience and equipment to my service …then many friends partecipated in this project: marco deplano, juergen weber, ulla tost, my very son…a great work, I think! I really owe raffaele and claudedi a lot!
2- I got the impression that you use a lot of natural sound elements and sound sources like singing birds for your composition. Can you specify a little bit about the other natural sound sources?
Oh, you’ve got a very keen ear!! Hardly anybody recognised it’s animal sounds and calls! Yes, I love strange animals’ sounds…often one can’t imagine how strange can a natural sound be! And mostly I didn’t even process them! I bought this “weird sounds” tape in London many years ago, recorded it on my pc and hey presto! a whole lot of queer samples ready to use! But in a song from my second work (“total lack of vital energy”, in the 4-lp box set “noi e il mondo”) I used the true voice of one of my cats…that was easy, they always wail when begging for food!
I also have a number of “home made” junk-instruments…a chair-o-phone, a hand-washing machine filled with nuts…but they do need a lot of computer-processing !!!
Sometimes I mixed common sounds into a song to render the “metropolitan” atmosphere we live in…drills, creaking doors, toilet flush…it’s generally annoying or creepy sounds, something you’d hate or turn your head from…such as the dentist’s drill!!!

Yes, and of course Therese the vespa has been present...a special relation?
oh, yes indeed!!! that's the actual sound of my poor old "vespa", that I used to own for over 20 years...then, due to italian codes and...rust, I decided to give it in, but not before paying the last respect to it!!! now I have one of those modern jap scooters, but it's not half as charming!!!


3-Do you develop a concept before you start the play-in? Or do a lot of things happen in an "automatic" way?
Mmmhhh…y’know…they said my music follows no rules, no arrangements…so is my thinking: at times it’s a concept behind a song (i.e. “psycho gate” or the “book of thoth”), other times is a sounds that recalls a memory or gives life to a thought
4-Can you tell the story (again) about the song "Memories Of Vienna vol. 1" ? You had a little cold there and needed some "Nasenspray"....?
ah, yes, funny, isn’t it?!? It was my first visit to wien, I was with claudedi and raffaele, juergen and ulla (novy svet) and I had such a bad cold…so I started drinkin’ and drinkin’ and drinkin’…my head went numb…and, yes, I badly needed a nasenspray…well, I just can’t remember the details but I recall they tried to teach me some german, a few words I noted down on a pad…then they became the lyrics for memories of vienna!!! Actually, there is a m.o.v./vol. 2 , still unreleased… same words, even different versions!

Some plans on which kind of "sound carrier" you will release it. Or which label will release it?-
I'm currently in contact with three labels: misty circles, nekofushakta and white rabbit; don't know which will publish a new work of mine first, yet...but before that there's a split scheduled...surprise!!!


5-Do I recognize an ABBA-Sample in the song "Kradumarrich"? If I’m right,did you have a special idea behind the usage? Is there a secret enthusiasm for this Swedish group?
You’re right, it’s abba…I used to love them as a child…I remember seeing those long-legged, blonde-haired women like goddesses…one of the few pop-bands I liked ! so nothing really special with using that sample…it’s kind of a…tribute!
6- Could you briefly give us an overview of your musical career? In which
projects are you currently involved?
ok, I’ll try…stop me if I make it too long…you know, after several years of partecipations side by side with the most relevant members of Roman underground scene, including the mysterious claudedi’s side-project “the silent pistols”, I set off for an entirely new adventure when, in the year 2K, the leader of the sperimental/post-industrial band “mushroom’s patience”, raffaele cerroni, summoned me to record my strangely-tuned trumpet in a couple of tracks for his forthcoming album “roma-wien” that soon became a smash hit;
in “the spirit of the mountain”, next mushroom’s patience’s work published by “hau ruck!”, my trumpet is much more present ;
I played live with mushroom’s at sonica (roma, nov 2001), mind’rron (massafra –TA, feb 2002) and twice at the monastery (wien, may and nov 2002)
in may 2002 misty cirles produced my first solo attempt: “eleven”, that soon gained pretty positive reviews on a number of magazines as well as on many websites.
my track “little starman” appears in the French compilation “songs for Landeric” (cynfeirdd – sept 2002);
when the box “ Noi E Il Mondo” was officially presented at the sonica- roma, nov 15, 2002 , I played live two unreleased songs, with the precious help of the performer gervy costa and the always present raffaele cerroni on the bass;
during the same night, I joined novy svet on stage for a couple of songs and such collaboration was to be again 4 days later in bologna (stile libero).
I participated in the 2nd Italian postindustrial congress ( siddharta - prato - jan 4, 2003), playing in an uncanny pig-disguise with the band of adriano vincenti, “macelleria mobile di mezzanotte”, with whom I played again in roma…well, I guess I’m in the line-up of that band, too, now! very different from mushroom’s…more violence, less music…


7- Would you like to express a certain attitude towards life or at least
a certain view on things? If this is so, which is it?
well, my view of life is a quite disillusioned one…I’ve had a lot of bad experiences and I’m inclined to distrusting almost everybody…
maybe I’m kind of trying to take my revenge on human kind by dispensing my music…
8- Which concept stands behind the "Noi E Il Mondo"-Box? In which way did you try to achieve this goal?
NEIM is a sort of celebration of the friendship that links Novy Svet and some roman bands; Juergen Weber is indeed a good friend and my first fan so he involved me in this great, limited production…my LP (total lack of vital energy) is a collection of strange tracks, perhaps more pondered upon than the ones in “eleven”…there are two that deals with my great passion: mysterious civilizations such as the Egyptians and the pre-colombian south Americans, one, brainless android, that depicts my idea of Man in the not-so-distant future and one that sums up my hopes: aliens and cats!!!

I would say, the "Noi E Il Mondo" - Box is a critical stock-taking about the international situation in the economical developing world, not only the western world, also the third world and emergent nations. Of course, critical opinions and a dialogue is necessary, but in Germany and some other European countries I got the impression that some left-winged extremists wanna instrumentalize the dissatisfaction for their political goals. If I see the red flags with "hammer and sickle" and that makes my stomach aching. What do you think about this topic?
at the eve of a very dangerous new war, this is a very important question...although as DBPIT I choose not to convey any particular political idea, I must say I never trusted politicians (if you listen very carefully to "the invasion of the human-men" in "eleven", you'll find this concept); in Italy we've had left, right and centre goverment and nothing really changed...it seems to me that they wear a colour only to get to the power than work for their own profit...and of course there's strumentalization, just think of illegal immigration...don't you think they could stop it if they could? but it sure serves someone's, hidden purposes...as for the oncoming war, I don't think there's good and evil, but only interest, on both sides...and over such issues, strumentalization is obvious; novy svet's album in noi e il mondo is dedicated to the boy who got accidentally killed by a policeman durin the G8 in genoa: that caused a loud uproar, but apart from that, can you just imagine how much strumentalization there was in Italy over that fact? that guy has become a symbol, an idol...an instrument, when he was just another unlucky fellow who was (perhaps) trying to kill someone else and was there as a puppet moved from behind...I don't like Italian goverment but I don't like left-wingers, too!


9- For the Cynfeirrd-Compilation "Songs for Landeric" you also
contributed a "childrens-song". Could you remember own experiences with children for this?
I’m trying to break my son of 10, Francesco (“pusio kranio” in the credits of “eleven”), to creative kinds of music…unfortunately, his mother is giving him a very classical education…but who knows, maybe one day he’ll pierce her ears with the most weird sounds!!!
and there’s a piano sample of his in my song for landeric…ah, if his mother knew !!! (no, we are not on good terms!)

10- Would you share your five last bought records with us? Additionally we would like to know which was your last visited museum in Rome?! :)
sure, just a couple of days ago I bought “meet the residents” to replace the old tape I had! lately I got hold of “automating” by nurse with wound (wonderful!!!) , “la folie verte” by Blood Axis & LJDLP, ain soph’s “oktober” (even though I didn’t actually buy it, I had it from the great claudedi) and “Towards The Event Horizon” by jack or jive, a band I got to know thanks to their extremely nice German producer kimsonJa;
as for museums, roma is pretty poor! I mean, there are lots but very old, bad kept and with too little notes…anyway I went once again to the Etruscan museum a couple of months ago and to the impressionists exhibition earlier on…I never saw germany’s yet (but my last visit made me want to see more!!!), but if I want a museum I go to England…


11- What are your plans for the future?
as for music, I'm working at my new album, and if some practical problems will be taken care of, I hope it will be out by the end of this year…
besides, since they have demands, Misty Circles are going to re-release “eleven” with a different cover;
then I expect more live acts with mushroom’s and novy svet;
as for other aspects of life, better make no plans…


12- Any last words?
well, yes: "meow" !!!

Postato da: atrofact a 17:13 | link | commenti |